Roland Jupiter 8 Mac Torrent10/14/2021
VST 2.4 (32-bit and 64-bit), VST 3. Offering the unique sound palette of the Roland Jupiter 8. Introduced in 1981, it was Japans answer to the American-dominated synth market - heads.Roland Jupiter 80 Vst. Future volumes will include many other sought-after analog classics.Many consider the Jupiter-8 to be the greatest synthesizer ever made. Enjoy spine-tingling sweeps and bubbling bass thanks to a resonant low pass VCF, with a separate hi-pass filter to smooth out your low end.Synth Legends Volume 1, the initial release in the series, features the sounds of seven of Roland’s most revered past synthesizers, including the original JUPITER-8, the JUNO-106, D-50, and others. Tame those planet-sized analog oscillators with a dual filter configuration that proved so popular, it continued appearing in Roland synthesizers for years after the Jupiter-8’s release.
![]() Roland Jupiter 8 Torrent Plus A CompleteYou can even adjust modeled parameters like piano string resonance, sax growl and marimba mallet hardness to customize these incredibly alive SuperNATURAL instruments.In addition to authentic acoustic instruments, the JUPITER-80’s SuperNATURAL technology delivers state-of-the-art synthesis and a vast palette of electronic sounds spanning yesterday, today and tomorrow. And all with more realism than you’ve ever experienced before. Ethnic instruments from around the world—and much more. You’ll find dedicated buttons for Roland’s highly acclaimed SuperNATURAL Piano and Virtual Tone Wheel Organ—plus a complete palette of other new expressive SuperNATURAL instruments. Far beyond mere sampling, SuperNATURAL sound engines model both the sonic characteristics of the original instruments and the way they react to performance nuances—responding to your creative expression like an extension of your soul.The JUPITER-80 puts a world of authentic traditional and ethnic acoustic instruments at your fingertips. The inspiring sounds made by these classic instruments have helped shape modern music, and now you have access to them all inside your JUPITER-80/-50.These classic synths each have between 10 and 20 iconic factory preset sounds that distinguish its character, and they’re all represented among 123 newly created single Tones for the JUPITER-80/-50.The JUPITER-80 is built from the ground up around Roland’s proprietary SuperNATURAL modeling technology.You can even set up three of these parallel synth sound chains on each of ten layered Parts simultaneously for a stack of 30 independent synthesizer sounds—enough to rip any dance floor apart.Sonic Architecture—Tones, Parts and RegistrationsThe basic sonic building blocks in the JUPITER-80 are Tones, each consisting of either a single SuperNATURAL acoustic instrument or a trio of SuperNATURAL synth Partials—each synth Partial featuring a complete OSC » Filter » Amp sound chain.SuperNATURAL Tones can map to the four split-layer Parts that the JUPITER-80 can play simultaneously from the keyboard or MIDI—Solo, Upper, Lower and Percussion. The resonant filters include the works—low-pass, high-pass, band-pass and peaking modes, 12dB/24db slopes and more. Each oscillator can summon vintage modeled analog waveforms from yesteryear or one of 350 PCM sampled sound sources for a huge arsenal of digital timbres spanning recent decades and into the future.Registrations RuleThe sum total of the settings across all the Parts in the JUPITER-80 is called a Registration. You’ll also find a group of handy Part Level sliders and on/off buttons for balancing the four Parts on the fly. The groupings of Jupiter signature backlit colored buttons call up Tones or Live Sets as appropriate for the four Parts. Talk about a sonic tour de force!The JUPITER-80’s gives you easy front-panel control over your four Parts. Each of the four Tones in a Live Set can have a single acoustic SuperNATURAL instrument or three SuperNATURAL synth Partials. The Upper and Lower Parts can each actually have a stack of four SuperNATURAL Tones in groupings called Live Sets that include a multi-effects unit for each Tone and a master reverb for that group.It was more of an ineffable sense of air and spaciousness. Some described it as lush or even wet, and they weren’t talking about reverb because no synth of that era had it. The JUPITER-8 had a distinct character from the other polysynths of its day. Rather, it’s the Jupiter that Roland founder Ikutaro Kakehashi really wanted to make all along: a synth that does every sort of sound, and connects your fingers to those sounds, with absolute realism.”“There is a way in which the JUPITER-80 evokes its famous namesake that even Roland may not realize. (The term Registration and this layout/technique hark back to the halcyon days of the pipe and theater organs—the original method of creating and recalling keyboard presets.) Registrations can also save and recall master parameters such as EQ, arpeggiator and Harmony Intelligence.“I’ve beat it with a stick that the JUPITER-80 was never intended as the return of the JUPITER-8. Registrations are controlled by the buttons on the front rail of the instrument below the keyboard, making it easy to swivel a thumb down to change Registrations while still holding down notes. ![]() ![]() A few days later, I returned with the entirety of my student loan and bought it. I was equally surprised at how cheap it was due to the amount that it could do, in just one keyboard. Furthermore, being classically trained, I have little to no knowledge of synthesis, so trying to program a digital analogue synthesizer became a bit of a challenge! When I came across the JUPITER-80, I was overwhelmed by its versatility and huge, rich sound.
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